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'Perpetuo' images and/or videos results

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Images of 'Perpetuo' found, 254

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800144

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800144

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800145

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800145

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800134

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800134

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800131

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800131

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800125

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800125

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800133

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800133

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800126

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800126

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800141

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800141

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800138

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800138

 
Lyon Astronomical Clock - Astronomical clock in Lyon - France - The minutes dial, elliptical shape. The minutes are read with the thinnest part of the hand (here, 7 minutes), which has the possibility to lie down or retract depending on its position on the dial. This dial was added to the clock in 1660, by Nourisson. Located in the Cathedrale Saint John, the clock dates back to 1379. Writings testify to its presence in the cathedrale since 1383, making it one of the oldest astronomical clocks in Europe. It consists of a 1.80m square tower, surmounted by an octagonal turret presenting the automatons and a dome supporting a rooster. The whole peak is 9.35m high. The astronomical part is divided into three parts: the astrolabe; below, the perpetual calendar, and on the right side, the minute dial. Astronomical clock - 16th century by Hugues Levet. Saint Jean Baptiste cathedral, Lyon, France. The minutes dial

Sebastien Beaucourt

PIX4586027

Lyon Astronomical Clock - Astronomical clock in Lyon - France - The minutes dial, elliptical shape. The minutes are read with the thinnest part of the hand (here, 7 minutes), which has the possibility to lie down or retract depending on its position on the dial. This dial was added to the clock in 1660, by Nourisson. Located in the Cathedrale Saint John, the clock dates back to 1379. Writings testify to its presence in the cathedrale since 1383, making it one of the oldest astronomical clocks in Europe. It consists of a 1.80m square tower, surmounted by an octagonal turret presenting the automatons and a dome supporting a rooster. The whole peak is 9.35m high. The astronomical part is divided into three parts: the astrolabe; below, the perpetual calendar, and on the right side, the minute dial. Astronomical clock - 16th century by Hugues Levet. Saint Jean Baptiste cathedral, Lyon, France. The minutes dial

Sebastien Beaucourt

PIX4586027

 
Clock astronomical de Lyon - Astronomical clock in Lyon - France - Detail of the astrolabe. The time circle, the calendar (month in Latin and day of the week), the zodiac, the ecliptic, the lunar circle with the Moon in the last quarter. In the background, the map of the sky. The alidade indicates the time (here, 12.30 pm). The Sun slides over the alidade, indicating its height according to the seasons. Located in the Cathedrale Saint John, the clock dates back to 1379. Writing testifies to his presence in the cathedrale since 1383, making him one of the oldest astronomical clocks in Europe. It consists of a 1.80m square tower, surmounted by an octagonal turret presenting the automatons and a dome supporting a rooster. The whole peak is 9.35m high. The astronomical part consists of 3 parts: the astrolabe; below, the perpetual calendar, and on the right side, the minute dial. Astronomical clock - 16th century by Hugues Levet. Saint Jean Baptiste cathedral, Lyon, France. The Astrolab

Sebastien Beaucourt

PIX4586003

Clock astronomical de Lyon - Astronomical clock in Lyon - France - Detail of the astrolabe. The time circle, the calendar (month in Latin and day of the week), the zodiac, the ecliptic, the lunar circle with the Moon in the last quarter. In the background, the map of the sky. The alidade indicates the time (here, 12.30 pm). The Sun slides over the alidade, indicating its height according to the seasons. Located in the Cathedrale Saint John, the clock dates back to 1379. Writing testifies to his presence in the cathedrale since 1383, making him one of the oldest astronomical clocks in Europe. It consists of a 1.80m square tower, surmounted by an octagonal turret presenting the automatons and a dome supporting a rooster. The whole peak is 9.35m high. The astronomical part consists of 3 parts: the astrolabe; below, the perpetual calendar, and on the right side, the minute dial. Astronomical clock - 16th century by Hugues Levet. Saint Jean Baptiste cathedral, Lyon, France. The Astrolab

Sebastien Beaucourt

PIX4586003

 
Lyon Astronomical Clock - Astronomical clock in Lyon - France - L'Astrolabe The outer circle allows you to know the time. It is divided into 2 parts of 12 Roman numerals (noon at the top, midnight at the bottom). The time is indicated by the alidade ending with a fleur-de-lis (here, 12:25). The crescent has the opposite is only a counterweight. Then we find the calendar with the days of the week as well as the months in Latin. The inner circle represents the zodiac, with the 12 signs. In the central part, the Sun moves over the ecliptic circle during the year. Inside the latter, the circle of the Moon and its phases (here in the last quarter). In the background, the map of the sky. Located in the Cathedrale Saint John, the clock dates back to 1379. Writings witness his presence in the cathedrale since 1383, making it one of the oldest astronomical clocks in Europe. It consists of a 1.80m square tower, surmounted by an octagonal turret presenting the automatons and a dome supporting a r

Sebastien Beaucourt

PIX4586006

Lyon Astronomical Clock - Astronomical clock in Lyon - France - L'Astrolabe The outer circle allows you to know the time. It is divided into 2 parts of 12 Roman numerals (noon at the top, midnight at the bottom). The time is indicated by the alidade ending with a fleur-de-lis (here, 12:25). The crescent has the opposite is only a counterweight. Then we find the calendar with the days of the week as well as the months in Latin. The inner circle represents the zodiac, with the 12 signs. In the central part, the Sun moves over the ecliptic circle during the year. Inside the latter, the circle of the Moon and its phases (here in the last quarter). In the background, the map of the sky. Located in the Cathedrale Saint John, the clock dates back to 1379. Writings witness his presence in the cathedrale since 1383, making it one of the oldest astronomical clocks in Europe. It consists of a 1.80m square tower, surmounted by an octagonal turret presenting the automatons and a dome supporting a r

Sebastien Beaucourt

PIX4586006

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