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Images of 'Mount Alexander' found, 115

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Barges and sailing ships on a canal in the foreground, with groups of spectators and soldiers holding banners lined outside their tents on the banks at left. Pasted on mount with washlines and annotated in pencil on verso:

Barges and sailing ships on a canal in the foreground, with groups of spectators and soldiers holding banners lined outside their tents on the banks at left. Pasted on mount with washlines and annotated in pencil on verso:

BL3308673

Portrait of a Lady, called Mary Cowan, Mrs Alexander Stewart (17131788)

Portrait of a Lady, called Mary Cowan, Mrs Alexander Stewart (17131788)

Medina, John Baptist de (1659-1710) (attr. to)

USB1157510

Chinese Bridge. Barges and houseboats at a river junction, with two bridges and a village in the background and figures on the banks. Pasted on mount with washlines and annotated in pencil on verso: 'Bridges & part of a City. Nov.r 1793'.

Chinese Bridge. Barges and houseboats at a river junction, with two bridges and a village in the background and figures on the banks. Pasted on mount with washlines and annotated in pencil on verso: 'Bridges & part of a City. Nov.r 1793'.

BL3308675

Figures on the banks of a river. Man on barge on a river in the foreground, watched by groups of men sitting on the banks and by women and children standing outside houses encircled by fences in the background. Pasted on mount with washline.

Figures on the banks of a river. Man on barge on a river in the foreground, watched by groups of men sitting on the banks and by women and children standing outside houses encircled by fences in the background. Pasted on mount with washline.

BL3308627

View of Chinese Temple. Figures on a houseboat on a river in the foreground, with two-tiered pagoda, turret and cottages built on the bank of the river in the background. Pasted on mount with washline. Described as 'View of a Bonzes Temple and an accomodation boat'.

View of Chinese Temple. Figures on a houseboat on a river in the foreground, with two-tiered pagoda, turret and cottages built on the bank of the river in the background. Pasted on mount with washline. Described as 'View of a Bonzes Temple and an accomodation boat'.

BL3308626

Group of figures on a river bank. A soldier sheltering from the sun with a fan stands behind two women carrying baskets and two men, with sailing ships and river in the background. Signed with initials at bottom right. Pasted on mount with washlines.

Group of figures on a river bank. A soldier sheltering from the sun with a fan stands behind two women carrying baskets and two men, with sailing ships and river in the background. Signed with initials at bottom right. Pasted on mount with washlines.

BL3308621

Portrait of a Chinese man. Chinese man portrayed full-length facing front, sitting on a bench dressed in a long fur-coat and cap and smoking a long pipe, with tobacco bag on the left and trees and shipmast in the background. Pasted on mount with washlines.

Portrait of a Chinese man. Chinese man portrayed full-length facing front, sitting on a bench dressed in a long fur-coat and cap and smoking a long pipe, with tobacco bag on the left and trees and shipmast in the background. Pasted on mount with washlines.

BL3308632

'A Chinese on horseback dressed out for a storm'. Horseman wearing a cloak and a cowl under his cap in profile to right, with woman sitting on the ground eating from a bowl in the foreground and sailing ships, barges and river in the background. Pasted on mount with washline.

'A Chinese on horseback dressed out for a storm'. Horseman wearing a cloak and a cowl under his cap in profile to right, with woman sitting on the ground eating from a bowl in the foreground and sailing ships, barges and river in the background. Pasted on mount with washline.

BL3308624

Portrait of a Chinese in his winter dress. Portrait of a man standing full-length facing front dressed in patterned fur-cape, cap, long tunic and boots, with landscape in the background. Signed with initials at bottom right and pasted on mount with washlines.

Portrait of a Chinese in his winter dress. Portrait of a man standing full-length facing front dressed in patterned fur-cape, cap, long tunic and boots, with landscape in the background. Signed with initials at bottom right and pasted on mount with washlines.

BL3308636

Portrait of a Chinese Soldier. Chinese soldier standing full-length facing front, wearing plumed helmet and holding a rifle over his shoulder and a sword hanging from his belt, with landscape in the background. Signed with initials at bottom left and pasted on mount with washlines.

Portrait of a Chinese Soldier. Chinese soldier standing full-length facing front, wearing plumed helmet and holding a rifle over his shoulder and a sword hanging from his belt, with landscape in the background. Signed with initials at bottom left and pasted on mount with washlines.

BL3308634

Group of figures on a river bank. Two men carrying two young children walk towards left, where a soldier stands leaning on his bow near two soldiers holding round shields and swords, with houses, river, ships and two figures sitting in the background. Pasted on mount with washlines.

Group of figures on a river bank. Two men carrying two young children walk towards left, where a soldier stands leaning on his bow near two soldiers holding round shields and swords, with houses, river, ships and two figures sitting in the background. Pasted on mount with washlines.

BL3308622

Portrait of two Mandarin's attendants. Two Mandarin's attendants sitting full-length facing front, wearing straw hats with horsehair hanging from the crown and purses pinned to their tunics; the man on the left crosses his legs and smokes a long pipe. Signed with initials at lower right and pasted on mount with washlines.

Portrait of two Mandarin's attendants. Two Mandarin's attendants sitting full-length facing front, wearing straw hats with horsehair hanging from the crown and purses pinned to their tunics; the man on the left crosses his legs and smokes a long pipe. Signed with initials at lower right and pasted on mount with washlines.

BL3308635

Tchin-san or Golden Mountain, an island in the river Yang-tse-Kiang. Barges and decorated ships sailing on the Yangtze River, with pagoda on top of an island and village at its feet in the background and mountains beyond. Pasted on mount with washlines and annotated in pencil on verso: 'The Golden Mountain, an Island in the Blue River. November 1793'. Signed with initials at bottom right.

Tchin-san or Golden Mountain, an island in the river Yang-tse-Kiang. Barges and decorated ships sailing on the Yangtze River, with pagoda on top of an island and village at its feet in the background and mountains beyond. Pasted on mount with washlines and annotated in pencil on verso: 'The Golden Mountain, an Island in the Blue River. November 1793'. Signed with initials at bottom right.

BL3308674

Lion man-of-war surrounded by a Chinese fleet. English ships surrounded by Chinese sailing ships with colourful banners and two boats in the foreground. Annotated in pencil on the verso: 'Junks waiting near the Lion to carry the Presents to the River Pay-ho, Gulph of Petche-li, Aug.t 1793'. Pasted on mount within washlines.

Lion man-of-war surrounded by a Chinese fleet. English ships surrounded by Chinese sailing ships with colourful banners and two boats in the foreground. Annotated in pencil on the verso: 'Junks waiting near the Lion to carry the Presents to the River Pay-ho, Gulph of Petche-li, Aug.t 1793'. Pasted on mount within washlines.

BL3308650

Portrait of Cochin-Chinese soldier. Portrait of a barefoot soldier standing full-length facing front, leaning on a wooden fence and holding a sheathed sword over his shoulder, dressed in knee-length wide trousers, long-sleeved chemise and turban, with sailing ships on river in the background. Signed with initials at bottom right and pasted on mount with washlines.

Portrait of Cochin-Chinese soldier. Portrait of a barefoot soldier standing full-length facing front, leaning on a wooden fence and holding a sheathed sword over his shoulder, dressed in knee-length wide trousers, long-sleeved chemise and turban, with sailing ships on river in the background. Signed with initials at bottom right and pasted on mount with washlines.

BL3308631

Chinese farmhouse. Two young women wearing loose tunics over wide trousers in the foreground, one of them smoking a long pipe; three men with horse, cart, and baskets hanging from a bamboo pole work outside farm buildings in the background. Pasted on mount with washline. Described as 'A Chinese farmhouse with Portraits of two Country girls'.

Chinese farmhouse. Two young women wearing loose tunics over wide trousers in the foreground, one of them smoking a long pipe; three men with horse, cart, and baskets hanging from a bamboo pole work outside farm buildings in the background. Pasted on mount with washline. Described as 'A Chinese farmhouse with Portraits of two Country girls'.

BL3308625

Broken bridge at San Sien wey. A crowd of spectators stand on top of a ruined bridge to watch the arrival of the Embassy, with more figures climbing to blocks of stone in the Hai River and to two sailing ships; cottages in the background. Signed with initials at bottom left. Pasted on mount with washline. Described as 'A broken bridge at Sancianwey with a number of figures' in manuscript notes bound with the drawings.

Broken bridge at San Sien wey. A crowd of spectators stand on top of a ruined bridge to watch the arrival of the Embassy, with more figures climbing to blocks of stone in the Hai River and to two sailing ships; cottages in the background. Signed with initials at bottom left. Pasted on mount with washline. Described as 'A broken bridge at Sancianwey with a number of figures' in manuscript notes bound with the drawings.

BL3308628

Chinese pillory. A man sits under a tree with his head trapped in a Chinese pillory, watched by a young boy, another man, and an officer holding a whip; river and ships in the background. Signed with initials at bottom right. Pasted on mount with washlines. Described as 'The punishment of the Cangue. This instrument is an immense block of wood like a square table with a hole in the middle in which the criminal's neck is put'.

Chinese pillory. A man sits under a tree with his head trapped in a Chinese pillory, watched by a young boy, another man, and an officer holding a whip; river and ships in the background. Signed with initials at bottom right. Pasted on mount with washlines. Described as 'The punishment of the Cangue. This instrument is an immense block of wood like a square table with a hole in the middle in which the criminal's neck is put'.

BL3308623

Mandarin on horseback. A Mandarin wearing a cape over his tunic and boots rides to left on a paved road carrying two scrolls across his shoulders, with two assistants and their horses standing by the road and figures watching from the fields in the background. Pasted on mount with washlines and annotated in pencil on verso: 'The Mandarin Carrying the Emperor's letter to the King of England from Pekin to Tongseou'.

Mandarin on horseback. A Mandarin wearing a cape over his tunic and boots rides to left on a paved road carrying two scrolls across his shoulders, with two assistants and their horses standing by the road and figures watching from the fields in the background. Pasted on mount with washlines and annotated in pencil on verso: 'The Mandarin Carrying the Emperor's letter to the King of England from Pekin to Tongseou'.

BL3308668

The Colossus of Mount Athos, Macedonia, a design by Dinocrates, the architect of Alexander the Great, plate 18 from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

The Colossus of Mount Athos, Macedonia, a design by Dinocrates, the architect of Alexander the Great, plate 18 from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

Fischer von Erlach, Johann Bernhard (1656-1723) (after)

STC94460

The Junks of the Embassy passing through one of the Sluices. Barges on a canal in the foreground and spectators sitting on the banks watching a procession of sailing ships pass through the gates of a sluice, with a group of soldiers standing on the left and crowds standing on the masonry and outside cottages on the left. Pasted on mount with washlines and annotated with title and date (November 1793) in pencil on verso. Signed with initials at bottom right.

The Junks of the Embassy passing through one of the Sluices. Barges on a canal in the foreground and spectators sitting on the banks watching a procession of sailing ships pass through the gates of a sluice, with a group of soldiers standing on the left and crowds standing on the masonry and outside cottages on the left. Pasted on mount with washlines and annotated with title and date (November 1793) in pencil on verso. Signed with initials at bottom right.

BL3308671

Portrait of a Chinese Pilot. Portrait of a man with a thin moustache and his hair in a plait rolled around the top of his shaved head, dressed in knee-length wide trousers and a loose long-sleeved chemise, full-length smoking a long pipe and sitting cross-legged on a wooden chest by a writing-desk in his cabin, with landscape seen through window in the background. Pasted on mount with washlines.

Portrait of a Chinese Pilot. Portrait of a man with a thin moustache and his hair in a plait rolled around the top of his shaved head, dressed in knee-length wide trousers and a loose long-sleeved chemise, full-length smoking a long pipe and sitting cross-legged on a wooden chest by a writing-desk in his cabin, with landscape seen through window in the background. Pasted on mount with washlines.

BL3308633

Donald Smith on is way to Labrador as punishment for leaving his post without permission (litho)

Donald Smith on is way to Labrador as punishment for leaving his post without permission (litho)

Webb, Archibald Bertram (1887-1944) (after)

STC335856

African American workers preparing cotton for gins, on Alexander Knox's plantation, Mount Pleasant, SC, 1874. A white man weighs cotton bundles. After the Civil war, landless African American, no longer enslaved by law, were coerced into one-sided and exploitive labor contracts on large plantations. Photo by George Barnard

African American workers preparing cotton for gins, on Alexander Knox's plantation, Mount Pleasant, SC, 1874. A white man weighs cotton bundles. After the Civil war, landless African American, no longer enslaved by law, were coerced into one-sided and exploitive labor contracts on large plantations. Photo by George Barnard

Barnard, George N. (1819-1902)

EVB7066592

Bulgaria, Sofia, 16 11 1991 Archive 30 10 24 Sofia, the capital of the …, 1991 (photo)

Bulgaria, Sofia, 16 11 1991 Archive 30 10 24 Sofia, the capital of the …, 1991 (photo)

Sepp Spiegl

IMO8758769

View on the banks of the River Peiho. Men and boys sitting on the banks of the Hai River, with fisherman in the foreground, temple on the left, and women and children watching outside a village in the background. Signed with initials at bottom right and annotated in pencil on verso: 'Figures on the Banks of the River as viewing the Ambassador's Barges &c'. Pasted on mount with washlines. Described as 'Companion to [Maps 8.Tab.C.8.1.]. This drawing exhibits a group of figures collected together near a temple on the bank of a river'.

View on the banks of the River Peiho. Men and boys sitting on the banks of the Hai River, with fisherman in the foreground, temple on the left, and women and children watching outside a village in the background. Signed with initials at bottom right and annotated in pencil on verso: 'Figures on the Banks of the River as viewing the Ambassador's Barges &c'. Pasted on mount with washlines. Described as 'Companion to [Maps 8.Tab.C.8.1.]. This drawing exhibits a group of figures collected together near a temple on the bank of a river'.

BL3308613

View of Lin-tsin-tcheu. Groups of men sitting in the foreground, with river on the right, pagoda in the middle and roofs of Linqing seen over the city-walls in the background. Signed with initials at bottom right and annotated in pencil on verso: 'Portrait of a Pagoda at Lincing. October 1793'. Pasted on mount with washlines. Described as 'View of a remarkable Pagoda near Lin-tsin-tcheou with the Walls of that City at a distance. Near this place the Grand Canal unites with the Eu-ho'.

View of Lin-tsin-tcheu. Groups of men sitting in the foreground, with river on the right, pagoda in the middle and roofs of Linqing seen over the city-walls in the background. Signed with initials at bottom right and annotated in pencil on verso: 'Portrait of a Pagoda at Lincing. October 1793'. Pasted on mount with washlines. Described as 'View of a remarkable Pagoda near Lin-tsin-tcheou with the Walls of that City at a distance. Near this place the Grand Canal unites with the Eu-ho'.

BL3308614

Arrival of the Emperor at the Tent in Van-shu-yuen. View of a field by a road with procession approaching from the left in the background and two lines of figures dressed in blue standing outside a large circular tent decorated in white, blue and red erected on a field between six smaller tents; trees and mountain in the background. Pasted on mount with washlines. Annotated in pencil on verso: 'Arrival of the Emperor at the Tent in Van-shu-yuen, on Garden of 10,000 Trees, on the Morning of the Introduction of the British Ambassador'. Watermark.

Arrival of the Emperor at the Tent in Van-shu-yuen. View of a field by a road with procession approaching from the left in the background and two lines of figures dressed in blue standing outside a large circular tent decorated in white, blue and red erected on a field between six smaller tents; trees and mountain in the background. Pasted on mount with washlines. Annotated in pencil on verso: 'Arrival of the Emperor at the Tent in Van-shu-yuen, on Garden of 10,000 Trees, on the Morning of the Introduction of the British Ambassador'. Watermark.

BL3308660

Guard mount' at Camp of 114th Pennsylvania Volunteer Infantry, Brandy Station, Virginia, Feb. 1864. They guarded the headquarters of General Meade, who shared the 114th's hometown, Philadelphia. In the background are their winter quarters, constructed with a combination of logs, rough cabins with rough chimneys of stone, bricks and barrels; all topped with tenting canvas. Photo by Alexander Gardner

Guard mount' at Camp of 114th Pennsylvania Volunteer Infantry, Brandy Station, Virginia, Feb. 1864. They guarded the headquarters of General Meade, who shared the 114th's hometown, Philadelphia. In the background are their winter quarters, constructed with a combination of logs, rough cabins with rough chimneys of stone, bricks and barrels; all topped with tenting canvas. Photo by Alexander Gardner

Gardner, Alexander (1821-82)

EVB7067322

View of the city Teu-tcheou foo, taken from the Hindostan at anchor in the straight of Mi-a-tau. Two English ships and some Chines barges sailing in the Bohai Sea near the port of Penglai. Signed with initials at bottom right and annotated in pencil on verso: 'View of Port of the City of Ten-cheou-fou. July 21st, 1793'. Pasted on mount with washlines. Described as 'A distant view of the City Teu-tcheou foo, taken from the Hindostan at anchor in the streight of Mi-a-tau, a harbour of some note among the Chinese'.

View of the city Teu-tcheou foo, taken from the Hindostan at anchor in the straight of Mi-a-tau. Two English ships and some Chines barges sailing in the Bohai Sea near the port of Penglai. Signed with initials at bottom right and annotated in pencil on verso: 'View of Port of the City of Ten-cheou-fou. July 21st, 1793'. Pasted on mount with washlines. Described as 'A distant view of the City Teu-tcheou foo, taken from the Hindostan at anchor in the streight of Mi-a-tau, a harbour of some note among the Chinese'.

BL3308619

Bulgaria, Sofia, 16 11 1991 Archive 30 10 35 Sofia, the capital of the Balkan state of Bulgaria, is …, 1991 (photo)

Bulgaria, Sofia, 16 11 1991 Archive 30 10 35 Sofia, the capital of the Balkan state of Bulgaria, is …, 1991 (photo)

Sepp Spiegl

IMO8758853

View of the Yellow River from the North. Barges and sailing ships decorated with colourful ensigns on Huang He River, with tents and stalls on the banks on both sides and hills seen in distance. Signed with initials at bottom right and annotated in pencil on verso: 'Entrance into the Yellow River taken at the place where we halted. Nov.r 1793 at 8 am'. Pasted on mount with washlines. Described as 'A View of the Yellow River taken from the North side where the Embassador's squadron halted. Nothing could convey a better idea or be more expressive of the busy scene of vessels on the Yellow River than this drawing'.

View of the Yellow River from the North. Barges and sailing ships decorated with colourful ensigns on Huang He River, with tents and stalls on the banks on both sides and hills seen in distance. Signed with initials at bottom right and annotated in pencil on verso: 'Entrance into the Yellow River taken at the place where we halted. Nov.r 1793 at 8 am'. Pasted on mount with washlines. Described as 'A View of the Yellow River taken from the North side where the Embassador's squadron halted. Nothing could convey a better idea or be more expressive of the busy scene of vessels on the Yellow River than this drawing'.

BL3308616

View of the city wall of Pao-ying-shien. Two men smoke pipes and watch the barges and small sailing ships on the Sanhe River, with cottages and the city-walls of Pao-ying hsien in the background. Signed with initials at bottom right and annotated in pencil on verso: 'The Walls of a Town or City call'd Pou-een-gin. November 1793'. Pasted on mount with washlines. Described as 'A view of part of the City Wall of Pao-yng-shien, with vessels of various kinds passing under it. From this drawing may be collected a general idea of the manner in which the Walls of cities are constructed in China'.

View of the city wall of Pao-ying-shien. Two men smoke pipes and watch the barges and small sailing ships on the Sanhe River, with cottages and the city-walls of Pao-ying hsien in the background. Signed with initials at bottom right and annotated in pencil on verso: 'The Walls of a Town or City call'd Pou-een-gin. November 1793'. Pasted on mount with washlines. Described as 'A view of part of the City Wall of Pao-yng-shien, with vessels of various kinds passing under it. From this drawing may be collected a general idea of the manner in which the Walls of cities are constructed in China'.

BL3308617

View of the banks of the Pei ho River. A group of men tied up with a rope pull barges up the Hai River while walking along its bank, where groups of women and children sit watching under the trees. Signed with initials at bottom right and annotated in pencil on verso: 'Chinese Figures tracking the Junks of the Embassy & people assembled to see it pass. Banks of the river Pay-ho Oct.r 1793'. Pasted on mount with washlines. Described as 'View of Men tracking the barges against the stream of the Pei ho, and a group of women on a height assembled to see the Embassador pass'.

View of the banks of the Pei ho River. A group of men tied up with a rope pull barges up the Hai River while walking along its bank, where groups of women and children sit watching under the trees. Signed with initials at bottom right and annotated in pencil on verso: 'Chinese Figures tracking the Junks of the Embassy & people assembled to see it pass. Banks of the river Pay-ho Oct.r 1793'. Pasted on mount with washlines. Described as 'View of Men tracking the barges against the stream of the Pei ho, and a group of women on a height assembled to see the Embassador pass'.

BL3308620

View on the banks of the River Peiho. Figures sitting on the banks of the Hai River, with man pushing a barge in the foreground and three men beating a fourth with bamboo canes, watched by a crowd outside city-walls in the background. Signed with initials at bottom right and annotated in pencil on verso: 'Banks of the River. Figures looking at the Ambassador's vessels. Punishment of Bambooing is executed in the Back Ground'. Pasted on mount with washlines. Described as 'A Group of figures on an eminence assembled together to see the Embassador pass during which a punishment of the bamboo is inflicted. The indifference of some of the Bye-standers contrasted with the humiliating postures of others, on this occasion, and the women peeping over the walls that enclose their buildings, are highly characteristic'.

View on the banks of the River Peiho. Figures sitting on the banks of the Hai River, with man pushing a barge in the foreground and three men beating a fourth with bamboo canes, watched by a crowd outside city-walls in the background. Signed with initials at bottom right and annotated in pencil on verso: 'Banks of the River. Figures looking at the Ambassador's vessels. Punishment of Bambooing is executed in the Back Ground'. Pasted on mount with washlines. Described as 'A Group of figures on an eminence assembled together to see the Embassador pass during which a punishment of the bamboo is inflicted. The indifference of some of the Bye-standers contrasted with the humiliating postures of others, on this occasion, and the women peeping over the walls that enclose their buildings, are highly characteristic'.

BL3308612

[Group at Junction, Kansas]; Alexander Gardner, American, born Scotland, 1821 - 1882; 1867; Albumen silver print; Image: 33 x 47.5 cm (13 x 18 11/16 in.), Mount: 48.3 x 61.1 cm (19 x 24 1/16 in.) -

[Group at Junction, Kansas]; Alexander Gardner, American, born Scotland, 1821 - 1882; 1867; Albumen silver print; Image: 33 x 47.5 cm (13 x 18 11/16 in.), Mount: 48.3 x 61.1 cm (19 x 24 1/16 in.) -

Gardner, Alexander (1821-82)

LZT5504490

View of a military post on the river Eu-ho. Figures gather on the banks of a river, with women and children on the left and six soldiers standing under a tree on the right; a man walks by the side of a wall decorated with the figure of a dragon that links a turret, on top of which a soldier strikes a gong with a mallet, to a small shrine, with man, horse and women holding babies standing outside in the background. Signed with initials at bottom right and annotated in pencil on verso: 'A Military Post. Portraits of the Soldiers, Joss house &c &c. Oct. 19 1793'. Pasted on mount with washlines. Described as 'View of a small military Post with soldiers drawn outin compliment to the Embassador. On the top of a small Castle a soldier is seen beating a Gongue (a brazen Instrument so called by Europeans) to give notice of the Embassador's approach'.

View of a military post on the river Eu-ho. Figures gather on the banks of a river, with women and children on the left and six soldiers standing under a tree on the right; a man walks by the side of a wall decorated with the figure of a dragon that links a turret, on top of which a soldier strikes a gong with a mallet, to a small shrine, with man, horse and women holding babies standing outside in the background. Signed with initials at bottom right and annotated in pencil on verso: 'A Military Post. Portraits of the Soldiers, Joss house &c &c. Oct. 19 1793'. Pasted on mount with washlines. Described as 'View of a small military Post with soldiers drawn outin compliment to the Embassador. On the top of a small Castle a soldier is seen beating a Gongue (a brazen Instrument so called by Europeans) to give notice of the Embassador's approach'.

BL3308618

African American workers returning from picking cotton, on Alexander Knox's plantation, Mount Pleasant, SC, c. 1874. The ante-bellum social and labor hierarchy was re-imposed upon landless African Americans within a decade after the Civil War. The idealistic schemes for land distribution faded, as politicians could not face confiscating private property from former rebel planters. Photo by George Barnard

African American workers returning from picking cotton, on Alexander Knox's plantation, Mount Pleasant, SC, c. 1874. The ante-bellum social and labor hierarchy was re-imposed upon landless African Americans within a decade after the Civil War. The idealistic schemes for land distribution faded, as politicians could not face confiscating private property from former rebel planters. Photo by George Barnard

Barnard, George N. (1819-1902)

EVB7066630

[Leavenworth, Lawrence, and Galveston Railroad Bridge across the Kaw River at Lawrence, Kansas]; Alexander Gardner, American, born Scotland, 1821 - 1882; 1867; Albumen silver print; Image: 33 x 47.5 cm (13 x 18 11/16 in.), Mount: 48.3 x 61 cm (19 x 24 in.) -

[Leavenworth, Lawrence, and Galveston Railroad Bridge across the Kaw River at Lawrence, Kansas]; Alexander Gardner, American, born Scotland, 1821 - 1882; 1867; Albumen silver print; Image: 33 x 47.5 cm (13 x 18 11/16 in.), Mount: 48.3 x 61 cm (19 x 24 in.) -

Gardner, Alexander (1821-82)

LZT5504488

[Trestle Bridge Near Fort Harker, Kansas]; Alexander Gardner, American, born Scotland, 1821 - 1882; 1867; Albumen silver print; Image: 33.2 x 47 cm (13 1/16 x 18 1/2 in.), Mount: 48.4 x 61.1 cm (19 1/16 x 24 1/16 in.) -

[Trestle Bridge Near Fort Harker, Kansas]; Alexander Gardner, American, born Scotland, 1821 - 1882; 1867; Albumen silver print; Image: 33.2 x 47 cm (13 1/16 x 18 1/2 in.), Mount: 48.4 x 61.1 cm (19 1/16 x 24 1/16 in.) -

Gardner, Alexander (1821-82)

LZT5504478

African American laborers processing cotton through cotton gin, on Alexander Knox's plantation, Mount Pleasant, SC, 1874. After the Civil war, landless African American, no longer enslaved by law, were coerced into one-sided and exploitive labor contracts on large plantation. Another alternative was the equally exploitive share-cropping system, but offered Freedmen greater distance from overseers and regimented gang labor. Photo by George Barnard

African American laborers processing cotton through cotton gin, on Alexander Knox's plantation, Mount Pleasant, SC, 1874. After the Civil war, landless African American, no longer enslaved by law, were coerced into one-sided and exploitive labor contracts on large plantation. Another alternative was the equally exploitive share-cropping system, but offered Freedmen greater distance from overseers and regimented gang labor. Photo by George Barnard

Barnard, George N. (1819-1902)

EVB7066619

Portrait of a Mandarin / WA.

Portrait of a Mandarin / WA.

BL3308637

Our Lady of Pochaev (tempera on panel)

Our Lady of Pochaev (tempera on panel)

School of Volhynia

XAB335185

Westward The Course of Empire Takes Its Way: Laying Track 600 Miles West of St. Louis, Missouri; Alexander Gardner, American, born Scotland, 1821 - 1882; October 19, 1867; Albumen silver print; Image: 33.2 x 47.6 cm (13 1/16 x 18 3/4 in.), Mount: 48.7 x 61 cm (19 3/16 x 24 in.) -

Westward The Course of Empire Takes Its Way: Laying Track 600 Miles West of St. Louis, Missouri; Alexander Gardner, American, born Scotland, 1821 - 1882; October 19, 1867; Albumen silver print; Image: 33.2 x 47.6 cm (13 1/16 x 18 3/4 in.), Mount: 48.7 x 61 cm (19 3/16 x 24 in.) -

Gardner, Alexander (1821-82)

LZT5504463

Map of the city of Ancient Rome (Roman Empire) representing the city with the fortifications (or enclosures) built by Servius Tullius (6th century BC) (also at the gates: Porta Flumentana, Triumphalis and Carmentalis and the Arx Janiculan), the enclosures of Emperors Aurelian (ca. 215-275) and Probus (ca. 232-282), Leon IV (Pope of 847 a 855) and the wall of 1560-1640. The thermal baths of Caracalla, Titus, Constantine, Severus Alexander (Severus Alexander) and Agrippa, the Circus of Maximus, Mount Palatine, the Mosaulee and the Circus of Adrien, the Colisee, the Forum Trajan, the basilicas of Lateranensis and Liberiana and the streets (paths) leading to Rome (Appia, Salaria, Pinciana, Floriana, Floriana, Aminia, Aurelia, Ostiensis, Ardeatina, Latina, Asinaria, Labicana), aqueducts of the aqua Claudia, Marcus e Julia, Virgo). Lithography.

Map of the city of Ancient Rome (Roman Empire) representing the city with the fortifications (or enclosures) built by Servius Tullius (6th century BC) (also at the gates: Porta Flumentana, Triumphalis and Carmentalis and the Arx Janiculan), the enclosures of Emperors Aurelian (ca. 215-275) and Probus (ca. 232-282), Leon IV (Pope of 847 a 855) and the wall of 1560-1640. The thermal baths of Caracalla, Titus, Constantine, Severus Alexander (Severus Alexander) and Agrippa, the Circus of Maximus, Mount Palatine, the Mosaulee and the Circus of Adrien, the Colisee, the Forum Trajan, the basilicas of Lateranensis and Liberiana and the streets (paths) leading to Rome (Appia, Salaria, Pinciana, Floriana, Floriana, Aminia, Aurelia, Ostiensis, Ardeatina, Latina, Asinaria, Labicana), aqueducts of the aqua Claudia, Marcus e Julia, Virgo). Lithography.

NWI4863573

Heavenly ladder of St. John Climacus (tempera on panel)

Heavenly ladder of St. John Climacus (tempera on panel)

Russian School (16th century)

XAB412159

Alexander Dumas [pere] (1802-1870) / Alexandre Dumas; Nadar [Gaspard Felix Tournachon], French, 1820 - 1910; 1855; Salted paper print; Image (rounded corners): 23.5 x 18.7 cm (9 1/4 x 7 3/8 in.), Mount: 38.1 x 30.8 cm (15 x 12 1/8 in.) -

Alexander Dumas [pere] (1802-1870) / Alexandre Dumas; Nadar [Gaspard Felix Tournachon], French, 1820 - 1910; 1855; Salted paper print; Image (rounded corners): 23.5 x 18.7 cm (9 1/4 x 7 3/8 in.), Mount: 38.1 x 30.8 cm (15 x 12 1/8 in.) -

Nadar, (Gaspard Felix Tournachon) (1820-1910)

LZT5504989

View of the Chinese Grand Canal.

View of the Chinese Grand Canal.

BL3308615

Chimborazo and Tungurahua, Ecuador, September 16 2001

Chimborazo and Tungurahua, Ecuador, September 16 2001

UIS5104174

Delegates at the Congress of Paris, 25 Feb 1856 (salted paper print)

Delegates at the Congress of Paris, 25 Feb 1856 (salted paper print)

French Photographer, (19th century)

ROC7358138

Ruined Gateway of the Ancient Fortress of Sehwaun, 1838 circa (coloured lithograph)

Ruined Gateway of the Ancient Fortress of Sehwaun, 1838 circa (coloured lithograph)

Jackson, Sir Keith A. (fl.1838)

NAM5920147

The Heavenly Ladder of Saint John of Climacus (tempera & gold on wood)

The Heavenly Ladder of Saint John of Climacus (tempera & gold on wood)

Byzantine, (12th century)

XAB3469106

Sir Kenelm Digby (1603-1665), c.1635 (watercolour)

Sir Kenelm Digby (1603-1665), c.1635 (watercolour)

Hoskins, John (1595-1664)

MMM7340098

France, Normandy, Mont Saint Michel, Grande Rue, narrow stone steps

France, Normandy, Mont Saint Michel, Grande Rue, narrow stone steps

Max Alexander

UDK5430736

The junction of Alexander and North Fork, Saskatchewan rivers at Graveyard Camp, Shoulder of Mt Amery, Watchman Peak, Castelets (b/w photo)

The junction of Alexander and North Fork, Saskatchewan rivers at Graveyard Camp, Shoulder of Mt Amery, Watchman Peak, Castelets (b/w photo)

Canadian Photographer, (20th century)

LLM8640412

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