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Flemish tapestry. Series Human Redemption or Vices and Virtues. Christ the Saviour as a Child (Cristo Salvador como Niño). Fifth tapestry in the series (second of those kept in Palencia). Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Christ the Saviour as a Child (Cristo Salvador como Niño). Fifth tapestry in the series (second of those kept in Palencia). Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7209041

Flemish tapestry. Series Human Redemption or Vices and Virtues. Christ the Saviour as a Child (Cristo Salvador como Niño). Fifth tapestry in the series (second of those kept in Palencia). Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Christ the Saviour as a Child (Cristo Salvador como Niño). Fifth tapestry in the series (second of those kept in Palencia). Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7208495

Flemish tapestry. Series The Labours of Hercules. Hercules battling the Minotaur (Hércules luchando con el Minotauro). Hércules luchando con el Minotauro). Second tapestry in the extant series. Model Unknown. Manufacture Willem Dermoyen, Brussels. Ca 1528. Fabric Silk and wool. Size 361 x 417 cm. ; Location Royal Palace of Madrid. Origin Collection of Philip II. On display Royal Armoury.

Flemish tapestry. Series The Labours of Hercules. Hercules battling the Minotaur (Hércules luchando con el Minotauro). Hércules luchando con el Minotauro). Second tapestry in the extant series. Model Unknown. Manufacture Willem Dermoyen, Brussels. Ca 1528. Fabric Silk and wool. Size 361 x 417 cm. ; Location Royal Palace of Madrid. Origin Collection of Philip II. On display Royal Armoury.

Flemish School, (16th century)

Paul Maeyaert

MAE7208607

Flemish tapestry. Series The Labours of Hercules. Hercules battling the Minotaur (Hércules luchando con el Minotauro). Hércules luchando con el Minotauro). Second tapestry in the extant series. Model Unknown. Manufacture Willem Dermoyen, Brussels. Ca 1528. Fabric Silk and wool. Size 361 x 417 cm. ; Location Royal Palace of Madrid. Origin Collection of Philip II. On display Royal Armoury.

Flemish tapestry. Series The Labours of Hercules. Hercules battling the Minotaur (Hércules luchando con el Minotauro). Hércules luchando con el Minotauro). Second tapestry in the extant series. Model Unknown. Manufacture Willem Dermoyen, Brussels. Ca 1528. Fabric Silk and wool. Size 361 x 417 cm. ; Location Royal Palace of Madrid. Origin Collection of Philip II. On display Royal Armoury.

Flemish School, (16th century)

Paul Maeyaert

MAE7208608

Tapestry. History of Saint Piat and Saint Eleuthère (Tapisseries de saint Piat et de saint Eleuthère), also called tapestry of Arras (la tenture d’Arras). Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy. 1402/ end 14th - begin 15th century. 22m x 2m. Detail. Scene 2 (Comment saint Pias vint à Tournay prechier le foy). Detail.

Tapestry. History of Saint Piat and Saint Eleuthère (Tapisseries de saint Piat et de saint Eleuthère), also called tapestry of Arras (la tenture d’Arras). Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy. 1402/ end 14th - begin 15th century. 22m x 2m. Detail. Scene 2 (Comment saint Pias vint à Tournay prechier le foy). Detail.

Paul Maeyaert

MAE7208800

Tapestry. History of Saint Piat and Saint Eleuthère (Tapisseries de saint Piat et de saint Eleuthère), also called tapestry of Arras (la tenture d’Arras). Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy. 1402/ end 14th - begin 15th century. 22m x 2m. Detail. Scene 2 (Comment saint Pias vint à Tournay prechier le foy). Detail.

Tapestry. History of Saint Piat and Saint Eleuthère (Tapisseries de saint Piat et de saint Eleuthère), also called tapestry of Arras (la tenture d’Arras). Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy. 1402/ end 14th - begin 15th century. 22m x 2m. Detail. Scene 2 (Comment saint Pias vint à Tournay prechier le foy). Detail.

Paul Maeyaert

MAE7208801

Flemish tapestry. Series The Labours of Hercules. Hercules battling the Minotaur (Hércules luchando con el Minotauro). Hércules luchando con el Minotauro). Second tapestry in the extant series. Model Unknown. Manufacture Willem Dermoyen, Brussels. Ca 1528. Fabric Silk and wool. Size 361 x 417 cm. ; Location Royal Palace of Madrid. Origin Collection of Philip II. On display Royal Armoury.

Flemish tapestry. Series The Labours of Hercules. Hercules battling the Minotaur (Hércules luchando con el Minotauro). Hércules luchando con el Minotauro). Second tapestry in the extant series. Model Unknown. Manufacture Willem Dermoyen, Brussels. Ca 1528. Fabric Silk and wool. Size 361 x 417 cm. ; Location Royal Palace of Madrid. Origin Collection of Philip II. On display Royal Armoury.

Flemish School, (16th century)

Paul Maeyaert

MAE7209333

Tapestry. History of Saint Piat and Saint Eleuthère (Tapisseries de saint Piat et de saint Eleuthère), also called tapestry of Arras (la tenture d’Arras). Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy. 1402/ end 14th - begin 15th century. 22m x 2m. Detail. Scene 2 (Comment saint Pias vint à Tournay prechier le foy). Detail.

Tapestry. History of Saint Piat and Saint Eleuthère (Tapisseries de saint Piat et de saint Eleuthère), also called tapestry of Arras (la tenture d’Arras). Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy. 1402/ end 14th - begin 15th century. 22m x 2m. Detail. Scene 2 (Comment saint Pias vint à Tournay prechier le foy). Detail.

Paul Maeyaert

MAE7209583

'To your Whist Drives, Card Parties, Social Clubs', SR poster, 1937

'To your Whist Drives, Card Parties, Social Clubs', SR poster, 1937

UIS5060847

Medallion

Medallion

BL3280445

Flemish tapestry. Series The Labours of Hercules. Hercules battling the Minotaur (Hércules luchando con el Minotauro). Hércules luchando con el Minotauro). Second tapestry in the extant series. Model Unknown. Manufacture Willem Dermoyen, Brussels. Ca 1528. Fabric Silk and wool. Size 361 x 417 cm. ; Location Royal Palace of Madrid. Origin Collection of Philip II. On display Royal Armoury.

Flemish tapestry. Series The Labours of Hercules. Hercules battling the Minotaur (Hércules luchando con el Minotauro). Hércules luchando con el Minotauro). Second tapestry in the extant series. Model Unknown. Manufacture Willem Dermoyen, Brussels. Ca 1528. Fabric Silk and wool. Size 361 x 417 cm. ; Location Royal Palace of Madrid. Origin Collection of Philip II. On display Royal Armoury.

Flemish School, (16th century)

Paul Maeyaert

MAE7207287

History of Saint Piat and Saint Eleuthère, Scene 7 baptism of the exiles chritians

History of Saint Piat and Saint Eleuthère, Scene 7 baptism of the exiles chritians

Unknown Artist, (14th-15th century)

Paul Maeyaert

MAE6261620

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7209054

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7209057

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7209051

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7209053

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7208498

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7209055

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7209056

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7208496

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7208497

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7209050

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7209052

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish tapestry. Series Human Redemption or Vices and Virtues. Vices lead Man to sin (Los Vicios conducen al Hombre al pecado). Second tapestry in the series (first of those kept in Palencia. Brussels’ manufacture, workshop. Ca 1510. Size 425 x 800 cm. Fabric Silk and wool, 7 warps per cm. Location Cathedral of Palencia. Origin A bequest by Bishop Fonseca, 1527. On display in the Chapter House.

Flemish School, (16th century)

Paul Maeyaert

MAE7209049

Sadler's balloon ascent from Hackney, 12 August 1811

Sadler's balloon ascent from Hackney, 12 August 1811

UIS5094065

Prudhoe Castle, is a Ruined Medieval English Castle Situated on the South Bank of the River Tyne at Prudhoe, Northumberland, England. The Castle Stands on a Ridge on the South Bank of the River Tyne. It is Partly Enclosed by a Deep Moat. The Ground to the North Falls Away Steeply to the River. The Castle Entrance is on the South Side and is Flanked by a Mill Pond on the Left and a Ruined Water Mill on the Right. The Castle is Entered by a Barbican Dating from the First Half of the 14th Century. The Gatehouse, Dating from the Early 12th Century, Leads Into the Outer Ward, which Contains the Remains of Several Buildings. At the North Side, against the Curtain Wall, Are the Remains of the Great Hall, Measuring 60 Ft by 46 Ft (18m by 14m), Built by the Percies When They Took Over the Castle. At the End of the 15th Century a New Hall Was Built to the West to Replace the Existing One. UK

Prudhoe Castle, is a Ruined Medieval English Castle Situated on the South Bank of the River Tyne at Prudhoe, Northumberland, England. The Castle Stands on a Ridge on the South Bank of the River Tyne. It is Partly Enclosed by a Deep Moat. The Ground to the North Falls Away Steeply to the River. The Castle Entrance is on the South Side and is Flanked by a Mill Pond on the Left and a Ruined Water Mill on the Right. The Castle is Entered by a Barbican Dating from the First Half of the 14th Century. The Gatehouse, Dating from the Early 12th Century, Leads Into the Outer Ward, which Contains the Remains of Several Buildings. At the North Side, against the Curtain Wall, Are the Remains of the Great Hall, Measuring 60 Ft by 46 Ft (18m by 14m), Built by the Percies When They Took Over the Castle. At the End of the 15th Century a New Hall Was Built to the West to Replace the Existing One. UK

LZT1005196

'Mr Sadler's Ascent with Captain Paget', 12 August 1811

'Mr Sadler's Ascent with Captain Paget', 12 August 1811

UIS5094068

Brussels, Belgium (photo)

Brussels, Belgium (photo)

Sergi Reboredo

SRB3036537

Feliks Topolski with his Chelsea Arts Ball backdrop, Albert Hall, London, UK, 1959 (b/w photo)

Feliks Topolski with his Chelsea Arts Ball backdrop, Albert Hall, London, UK, 1959 (b/w photo)

Marcus Harrison

MHR2637566

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

PFH3085584

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

PFH3085578

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

PFH3085583

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

PFH3085588

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

PFH3085585

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

PFH3085586

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

PFH3085579

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

PFH3085591

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

PFH3085574

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

PFH3085581

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

PFH3085582

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

PFH3085587

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

China: 'Qingming Shang Tu'or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

PFH3085589

Stupa in the Royal Palace, Phnom Penh, Cambodia (photo)

Stupa in the Royal Palace, Phnom Penh, Cambodia (photo)

Sergi Reboredo

SRB1202643

Stupa in the Royal Palace, Phnom Penh, Cambodia (photo)

Stupa in the Royal Palace, Phnom Penh, Cambodia (photo)

Sergi Reboredo

SRB1202725

The Great Herrmann at the Egyptian Hall, 1873 (colour litho)

The Great Herrmann at the Egyptian Hall, 1873 (colour litho)

English School, (19th century)

BL5052178

Naik Yeshwant Ghadge VC (1921-1944), 3/5th Mahratta Light Infantry, 1944 (b/w photo)

Naik Yeshwant Ghadge VC (1921-1944), 3/5th Mahratta Light Infantry, 1944 (b/w photo)

Unknown photographer, (20th century)

NAM5923543

Portrait of the dolphin Charles Orlant son of Charles VIII and Anne of Brittany, 1494 (oil on canvas)

Portrait of the dolphin Charles Orlant son of Charles VIII and Anne of Brittany, 1494 (oil on canvas)

Hey, Jean (fl.1494)

Photo Josse

JLJ4577578

Four Children of King George (wax)

Four Children of King George (wax)

Percy, Samuel (1750-1820)

CIN3964320

French Revolutionary ear Illustration titled, Desespoir des ennemis de la France a la decouverte de leurs complots [1804].

French Revolutionary ear Illustration titled, Desespoir des ennemis de la France a la decouverte de leurs complots [1804].

UIG2599088

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